Enchanted April |
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"Peter
J. Storms' sound design does much to heighten the moods and settings..."
Doug Deuchler, Wednesday Journal |
The Night of the Iguana |
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"...a tropical set and sound effects that make you
almost feel the heat..."
Dennis Polkow, New City Chicago |
Up 'N' Under |
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"Peter J. Storms created a fi ne sound design. In
a show like this where much of the rugby game, the roaring crowd, and
other situations are vital, the sound cues and background noise has to
be realistic to work.."
Doug Deuchler, Wednesday Journal |
Stone Cold Dead Serious |
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"Lighting tricks and sound effects transform a
simply designed car into shelter from an unforgiving highway.."
Justin Sondak, CenterStage |
Escanaba in da Moonlight |
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"The Mona
Lisa of fart jokes"
Nina Metz, Chicago
Tribune |
Sweet Smell of Success |
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"an expert jazz band swing led by music
director Peter J. Storms"
Scott C. Morgan, Windy City Times |
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"The orchestrations have been adroitly pared down to a jazz quartet by
the music director Peter J. Storms. Vocally, the cast sounds great,
especially when serving as an ominous but swing-tempoed Greek chorus…"
Scotty Zacher, Gay Chicago |
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Just Wanderer |
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"The lighting
(Jared Moore) and sound (Peter Storms) worked in perfect tandem to
create the rain storm and lightning that were an important part of the
story."
Al Bresloff, Salsachicago.com |
Golf |
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"sensational sound by the aptly named Peter Storms"
Hedy Weiss, Chicago Sun-Times |
Pinafore! |
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"The main thing
about any version of Gilbert and Sullivan is that it must be well sung
(it IS operetta) and well-enunciated. With Savage as director, and
nimble-fingered Peter Storms as piano accompanist, this production
scores on both counts, providing attractive, trained singers in all
principal roles."
Jonathan Abarbanel, Windy City Times |
On The Verge |
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"Production
highlights on this odyssey include appropriate and interesting
instrumental and vocal music chosen by Peter Storms"
Charles Eichler, Talkin' Broadway |
